The fact that American author William Gaddis published a book called The Recognitions in 1955 seems to have little to do with replica handbags--except for those familiar with the book contents. The recognition is about a cold, spiritually inclined man who is also an artistic genius. He initially dedicated his life to God, but quit his ministry to become an art forger.

This man dedicated himself exclusively to forging works by Flemish masters of the 14th and 15th centuries. Why? Because they evoke spiritual sincerity. This man's works are fake designer handbags - however, they are even stronger and more spiritual than the originals, or at least as good as the originals. Hans Memling or Rogier van der Wieden are humble people who are happy to make a work as good as the protagonist's fake. They are superior to the "original".

The modern art collecting world and so-called "culture", always in search of authenticity, is "deceived" by the work of moody art forgers. People spend millions to own these fake masterpieces not because of their actual quality, but because of what their status as "original" means to the world of art and culture. During the 20th century, Flemish painting had essentially become a status symbol. Yet this pursuit of status among the cultural elite carries an aura of respectability, even "spirituality." At the same time, people were skeptical about true mystical Christianity. Is this wrong? Isn't mystical Christianity based on pagan mythology? What is "real"? What is true and what is false?

Commendation assumes that "authenticity" is itself an illusion, an illusion, which in the past has justified looting and pillaging (such as during the Crusades). In modern times, it has become a hot commodity and a reason to indulge in vanity.

What does all this have to do with handbags? Now, the answer is clear. William Gaddis' Recognition paved the way for what many now consider "postmodern" literature. It has inspired other writers of large, awkward, complex postmodern fiction full of erudition and fact, such as Thomas Pynchon and David Foster Wallace (recently deceased).

However, despite the cultural impact of his work, William Gaddis did not make money from his novels. Do you think, if he wanted to, the cultural celebrity could afford expensive handbags that charge consumers thousands of dollars just for the name? maybe not. How about a refined, high-quality replica designer bags that looks exactly the same. And as well-crafted as the "original" it's imitating?

johnliang 已于 2022/5/15 2:30:06 进行了修改